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Profile 


Keiying Yip’s practice delves into the shared emotions of sacredness, suffering, and transcendence of humanity within the framework of Buddhist philosophy, while also addressing the historical positioning and appropriation of Eastern religions. Through her exploration of cultural looting and religious revolutions, Yip interrogates how the meanings of objects are reshaped by external forces. Her work touches on the fluid nature of identity, power, and cultural exchange, revealing how objects once deemed sacred undergo transformation over time. Reflect on the authoritative significance these symbols held in different eras, while also acknowledging the enduring essence of their original spiritual purpose.

By reimagining ancient religious artifacts, Yip blends ancient making techniques, such as lacquerware, with forms of brainless organisms, exploring the shifting boundaries of faith and the sacredness of life. Foster a sense of community, where life’s vibrancy and unpredictability take prominence. Her work evokes the transience of life and the interconnectedness of all beings. Explores the uncanny nature of "self" and offers a glimpse into an alternate reality where non-human life momentarily adopts human qualities, challenging our understanding of identity and existence beyond our own species.





Education
Masters of Art, Royal College of Art
2025

Bachelor of Art, Centrial Saint Martins, University of the Arts London
2018



Shows
2025
Those Beggining Notes
Sanmei Gallery

2025
No Beauty Without Danger
Royal College of Art Battersea

2025
FESTUS 
Hangar Gallery

2024
 Abc Art Fair 
Quanyechang Cultural and Arts Center

2024
Work in Progress Show 
Anken Avenue

2018
Sexhibition
The Crypt Gallery

2018
Perfectly Normal Person
Platform theatre

2018
Dance Lab
White Lab at Central Saint Martins

2017
Music of What Happened
Royal College of Music

2017
Rude Health
Trinity Laban




Contact